I’m coming for you, Kingpin!
Daredevil surveys the city one last time before he takes the fight into Wilson Fisk’s offices.
This shot is a combination of backlot photography blended with a plate of New York City. Matt is standing on the edge of a rooftop on the Paramount Studios backlot (just above the location of the subway entrance used earlier in the film). The background plate features the Chrysler Building, but almost certainly a digital cityscape created for the custom camera move.
MAP
[googlemaps https://www.google.com/maps/embed?pb=!1m17!1m12!1m3!1d844.686053188052!2d-118.32060819389666!3d34.08656515013749!2m3!1f333.6762481089253!2f4.696918501726231!3f0!3m2!1i1024!2i768!4f35!3m2!1m1!2zMzTCsDA1JzExLjkiTiAxMTjCsDE5JzE0LjEiVw!5e1!3m2!1sen!2sus!4v1740697791875!5m2!1sen!2sus&w=800&h=600](Daredevil, 2003)

