I’m coming for you, Kingpin!
Daredevil surveys the city one last time before he takes the fight into Wilson Fisk’s offices.
This shot is a combination of backlot photography blended with a plate of New York City. Matt is standing on the edge of a rooftop on the Paramount Studios backlot (just above the location of the subway entrance used earlier in the film). The background plate features the Chrysler building, but almost certainly a digital cityscape created for the custom camera move.
MAP
(Daredevil, 2003)
